Halloween with Mr. Nobody

The Spookeasy Website is UP!

Mr. Nobody's Spookeasy, Halloween 2014!
Mr. Nobody’s Spookeasy, Halloween 2014!

Just a teaser for now: Over the past few years I’ve been working with Scott Levkoff making very fun adult-themed puppetry events. This is only a sliver of the fantastic vision that Scott has for interactive play, but I have been a minion for his swamp-god Mr. Nobody (black light puppetry… a dream fulfilled at last!), Mr. Nobody himself (and VERY hungry), as well as animated black-light objects, and part of an “animatronic” puppet fortune-telling bit. It’s always a pleasure to work with Scott, so always hard to say no to his invitations.

Coming up, I will be animating objects/puppets for Scott at :::: The first-ever San Francisco Spookeasy Halloween Extravaganza is a new, daring, bold and sophisticated multi-evening experiential destination party that will transform Chinatown’s Great Star Theatre into a scintillating circus-like, madcap séance soiree beckoning back to life ghosts, spirits, and specters from the raucous and rollicking red hot era of 1930’s Burlesque and Barbary Coast Vaudeville in a decadently opulent Max Fleischer-esque ‘ToonTown’ parallel universe’s haunted Prohibition-era Speakeasy.

Sounds fun, right?! More details and pics coming in the following weeks….

XLt SF: Seeing Double

Pod just booked a second Citizen Kino event at Noisebridge for Sept. 19th. I’m expecting two different shows for the Bay Area viewing citizens…

Getting stranger by the minute with XLt analysis.
Getting stranger by the minute with XLt analysis.

Friday, September 19, 19:00: CiTiZEN KiNO with The XLterrestrials, This is a tactical media platform, a hybrid of curated screening, theater performance, lecture/faux lecture and heated discussions. We also call it “cinema hacking” or Media Selbst-Verteidigung (media self-defense). Come for two hours cinema hacking with The XLterrestrials and a possible afterparty with “Btropolis” dj(s).

Swiss TV RTS Un takes my tour

Had a great time for a few hours with this journalist and her crew. I chose CELLspace to give a tour and film the shots. Good to see some final clips of murals that have already been taken down before the wrecking ball takes the rest. On and off camera, I spoke of my reservations with the share economy. Called it a euphemism as well as a warning about how one sees work and the ways that the share economy’s work ethic leaks into personal and private time. I also spoke on how AirBNB does NOT pay into the Hotel Tax Fund, which funds the arts here in San Francisco.

Watching this piece, with almost no French comprehension, feels fluffy. Maybe the butterfly and flower animations gave it away. Those are still beautiful shots of the art at CELLspace. And the journalist and crew were very nice, lefty Europeans.

A King Who Waits

With a crown above my head,

full of millions of sparkling stars,

I am a king who waits.


Sitting on a throne

in a brightly lit room –

Contemplating loses,

Counting laurels –

I am a king who waits.


My kingdom resides

where birds fly, bears hunt,

and galaxies spin.

All for me another


and a king who waits


Stencil Archive: redesigned for tablets n phones

The Internet look is all about flat. So I cleaned up the Stencil Archive logo for the 2014 redesign
The Internet look is all about flat. So I cleaned up the Stencil Archive logo for the 2014 redesign

HappyFeet’s sister site, Stencil Archive, continues to thrive amongst the street art webstreams. HappyFeet began  in 2002 when my stencil photograph selection grew to a point where I felt the need to scan and upload to share and share alike. Last week, Stencil Archive saw the 20,000th uploaded photo, which has been dwarfed in size by corporate sites like Flickr. Back in 2002, a simple Google search brought up maybe 6 sites, none of which were covering the growing, pre-Banksy scene.  Stencil Archive met the need and many sites soon followed. Now they are all vaguely “street art” sites. Stencil Archive is still 100% all about stencils!

While the photo uploads ticked to 20k, I was working on a site redesign with Justin Fraser at Mission Web Works. No one buys computers or laptops anymore, right? Then why the hell isn’t Stencil Archive easy to see and navigate for all the smart phones and tablets out there? Justin and I took care of this major barrier to enjoying the site. Apple’s Jony Ive really pumped up the flat design craze with iOS7, so I redid the Stencil Archive logo, favicon, and homepage icon (yep, you can save a cool app-like button on your phone’s homepage to easily access the stencils) for this 2014 reboot. Continue reading “Stencil Archive: redesigned for tablets n phones”

Farewell CELLspace; Farewell Murals

I spraypainted Scot t Williams's huge gorilla on the back door of CELL.in 2010. It is gone (as is the piece that replaced it) due to tagging.
I spraypainted Scott Williams’s huge gorilla on the back door of CELL.in 2010. It is gone (as is the piece that replaced it) due to tagging.

Almost to the day today, I arrived in San Francisco in 1997 with two suitcases (one full of camping gear) and a vague idea of what I wanted to accomplish in the City by the Bay. The words that kept bouncing around in my head were: diversity, creativity, and adventure. I had no idea there as a dot com boom and that the vacancy rate was under 1%. I didn’t even know what a vacancy rate was! I did know that I wanted to be part of something amazing, and if possible, somehow create amazing cultural bits that others enjoyed.

In 1998, I started volunteering for CELLspace, which at the time was a funky underground artist warehouse with folks who had a similar vision that the one I was chewing on. Years later, I tried to move on and open my time and life up to other amazing projects. So CELL got put on the backburner, until 2008. That was a crucial year for CELL, now a nonprofit with paid employees. While on the road touring for the book and for the Conscious Carnival, word started getting back to me that CELL was financially imploding. I wasn’t surprised.

Then I got a call from Jane and Tony Verma, two long-time Metal Shop artists, asking me to help them curate a stencil exhibit on the facade of CELL. Things were bad at the time and CELL’s doors were shut (all the employees and most of management were very far away from the space) due to no one being there to maintain and run things. But the Metal Shop was still holding their cluster together. The Metal Shop designed and built an amazing metal window-covering mural, complete with space in the bottom for showing art. They had reached out to a few artists in Stencil Nation, but needed more. Stencilada was born, and thus began my final run of volunteering for CELL. Continue reading “Farewell CELLspace; Farewell Murals”

Sep. 18: XLt Citizen Kino in SF

Time for strategic media analysis with Dr. Podinski and the XLt spectacle spectrometer
Time for strategic media analysis with Dr. Podinski and the XLt spectacle spectrometer

If you spend any time, even mere nanoseconds, complaining about today’s culture (or lack thereof), then perhaps spend an evening with the experts! XLterrestrials is a group of specialists who specialize in speaking on the spectacle. Let’s just say that the XLt analysis peels back the layers of the tubes we so easily wrap ourselves around… with cultural clips from the fringes of the ctrl+alt+dalek worldz….

From their show propaganda coming up this Sept., they lay it on us:

An arts and activism show out of Europe, which focuses on digital culture in this extremely precarious and dubious era of predatory corporate capitalism + technotopian extremism. The program examines the technological landscapes which are rapidly shaping civilizations often with undemocratic agendas, questionable results and disturbing trends.

See you all at No Nothing, Sept 18th….

Dream: 2.14.14

Eating at a restaurant with E.

Cash only and I don’t have enough, though I have a large bag full of play money, Chinese funeral money, etc.

I dig in the bag looking for enough to pay.

The restaurant has toilet problems so the waitress says I can help fix the toilet to make up the difference I owe.

While eating a tempeh appetizer, a man begins to talk to E. in another room.

ED shows up and then they all walk away.

I eat my tempeh quickly, just as my beet sandwich arrives. Trying to leave I stuff my bag behind a door and eat the sandwich as I walk in the direction they headed.

I see a large wooden deck, and, walking on to it, I see a huge rolling water park beyond the deck.

When was there a water park in San Francisco?

I look into the crowds and cannot find E, ED, and the man that led them away.

I start walking around to look for them and get turned around. Lost. Confused.

I get my phone out to try to call E., and it doesn’t work. I then forget E.’s name, and begin to cray.

I decide to leave the water park and only walk around in circles. Down ramps that lead nowhere. Down steps that lead to private dressing areas and private baths. Up ramps that lead to large bodies of water (I’m wearing my PJs so cannot swim away).

At an open lawn, I’m totally disoriented. I see a worker and ask her how to get out of the park. She looks at me with anime eyes and speaks gibberish.

Two co-workers walk up and have the same distant look. One of them speaks gibberish too.

“I see that you’re no help.”

I turn around to leave and one of the workers walks over to me.

She points over to a crowded area of the park.

“Do you see that whit Buddha Statue?”

Dreams: 11.1.13

There’s a last minute film festival in San Francisco, Berlin, and Sofia. All the brass bands and amazing films will be in Sofia. Berlin will have great parties too. San Francisco will show animated films with icing. They will mostly be about recovery. One film is about algae bread and how it is helping to feed the homeless and hungry. It is animated by putting icing on bread.


Buying a new car – a truck – in a big field. The people running the lot don’t have keys so I keep calling the person who does. It’s getting late and I still can’t get in to the truck. MC and his brothers are on the property. MC doesn’t leave his truck because of his dogs. There are beautiful trails on the property. The field only recently got the car lot. Land is being cut back above one trail. Other familiar faces work at the car lot.

Dream: 1.10.13

Drunks in Safeway by Golden Gate Bridge

blocking the exit

some really drunk, with a limitless credit card

playing an Atari 2600 on the flower counter

while talking about graffiti

The SFPD break up their party.

I speak with a policewoman as she tries to cuff a large woman.

The police haul the drunks away, leaving only graffiti on the floor at the entrance to Safeway.

Near the bridge, I hear people , and some of them walk by and give me a box that contains a recording.

They ask me to put it on a website, and they begin to illegally climb up the bridge.

I follow them a bit and then back off, realizing I’m still wearing my PJs.

I go down and pass a Golden Gate Transit worker, staring at a camera monitor.

I wander away from the bridge along a trail, passing a fisherman eating a sandwich while sitting in his boat.

I approach a huge elevator, go inside, and run into a friend.

We talk about porn, and other people join in.

I look out the lift and see an amazing view of the Bay and the Golden Gate Bridge.

The ride ends so I exit with groceries and bags of stuff. I rebag it all and see:

a pistol, an Atari 2600 game cartridge, and three bags.

I strike up a conversation with a cool woman.

Tour Makes SF Weekly’s 2013 Best Of


SFWeekly Best Of

 Best Way to see the Mission Before it’s Annexed to Google – 2013

Scout for Street Art Walking Tour


Russell Howze describes his tour as a “three hour zigzag through the Mission District.” For fans of street art, or anyone curious about the changing city, it’s a zigzag worth taking. Howze has been chronicling the stencils, tags, murals and graffiti that decorate San Francisco for 15 years, and is the author of the street art tome Stencil Nation. His tour explores alleys that will be new to residents and tourists alike, and keeps an eye on the shifting cultural tides of the neighborhood. “Urban landscapes are always changing,” Howze said, pointing out that while many of the tech workers moving into the Mission appreciate street art, they also bring security cameras and fences.

2013 SF Weekly Best Of Winner....
2013 SF Weekly Best Of Winner….