Posts Tagged ‘Thoughts’

Join me Wednesday on 24th St. when I speak for only 10 minutes at A Vayable Idea

Join me Satuday with TransportedSF for the Banksy Tour.  I will guide you through the six remaining Banksy pieces via a biodeisel bus (drinking and fun allowed).

Some thoughts about Street Art Tourism in SF

Sometime around 2002, when an article about “The Mission School” of public art appeared in the SF Bay Guardian, the alleys where I wandered to photograph stencil art. Of course, this was around the time Banksy was becoming a sensation, Melbourne, Australia’s walls were exploding with public art, and Tristan Manco released his book “Stencil Graffiti.” As books began to get published, websites like MySpace and Flickr began to allow massive photo and info sharing, and digital cameras became cheap and easy to use, people started noticing that I was taking photographs of the sidewalk (and other strange locations). People started asking me questions about the art. Then I eventually saw people taking their own photographs. Prior to about 2005, very few people documented what was now being called street art. But this began to change. Like me, people were traveling around the world to see the art, the exhibits, and the freshest city walls. One of the pillars of street art entailed that artists had to travel and put their art up all over the world. It was only a matter of time before this all went mainstream.

When Banksy wandered through the USA about two years ago, there was a frenzy of Tweets and posts sharing the locations and art he left behind. I jumped into the frenzy and saw many other people wandering San Francisco to snap up photos of the fresh work. A few who scooped Banksy’s visit ended up on TV, and the blogosphere many cities ate up his art (and the eventual removal of much of it). In my mind, the sensation had arrived. Irionically, Banksy was promoting his documentary that looked at the hollow sensation of art’s next greatest thing.

I wasn’t surprised when I was asked to speak as an expert for a Banksy tour in May. With only six pieces remaining (well, one is totally destroyed but still possibly relevant), and a law in the books where drinking alcohol on a bus is legal, there was a good combination for a fun Saturday afternoon. The tour sold out, and we all had a great time. I know that Precita Eyes gives mural tours, and Chris Carlsson gives FoundSF tours, both of whome fill in gaps where the mainstream double-decker buses never tread. Antenna Theater developed the Magic Bus as a multimedia bus show, but demand was so high, they turned it into an ongoing “tour”. There are other tours that I probably do not know about, and some, like the Barbary Coast, Dashiell Hammett, and Beat Generation tours are a bit more mainstream. Jeremy Novy has an exhibit titled “A History of Queer Street Art” which is closing just in time for Pride Weekend. I am sure that people here for Pride are going to this exhibit and then looking for the illegal art afterwards.

Prior to the Banksy tour, I had wondered how many people came to San Francisco to seek out the painted alleys and walls. As street art became a topic of LA tabloids (”Is Banksy going to appear at the Oscars???” “The Art in the Streets show is causing more graffiti!” ) and Shepard Fairey became a household name, I saw the back streets of San Francisco turn into photo opportunities. Back when I visited Melbourne, Australia in 2008, their official tour brochure boasted that tens of thousands of tourists came to the city to see the painted laneways. As I visited the Citylights gallery just off Hosier Lane, I saw Japanese tourists snapping photos, a newlywed couple posing in front of the walls, and even a school group of young children looking at the art. This was only in maybe an hour of visiting the area!

As San Francisco spends $22 million a year to erase graffiti and street art, these changes beg the question “just how much money is the City making from all the graffiti and street art?” The best way to find out would probably be a funded study of underground and subculture tourist trends. If two people stood at both ends of Clarion Alley on a Saturday, and asked a small list of questions, I assume that the results would be surprising for the bureaucrats that only see vandalism. Then there are the stores that cater to the culture of street art. Upper Playground reigns supreme in the Haight. 1AM holds it down in SoMa. White Walls makes the illegal walls quasi-legal with their top shelf legal walls.

This is what I hope to talk about Wednesday night A Vayable Idea. This is a start up dot com that allows people to purchase tours from everyday people who love their cities. I’ve already done a few tours through Vayable and they’ve been great. My tourists have been curious about all the art that they see around them. I try my best to answer all their questions and show them the best spots. There are skateboard tours on Vayable, available in SF. There’s another underground tourist source that is understudyed. Our hills are famous for skating down. So I’m putting the word out: Who is catering to alt-tourism and why isn’t San Francisco paying attention? I’m crious to see what happens. Hope you come by and visit so that I can hear what you think about it all.

Why I (News) Fast

Author: Russell

Words. Thousands and millions of words. Constantly getting churned out from keyboards around the world. A never-ending stream of thoughts and details, facts and admissions. Spilling out into the Web at a Class 5 rapid rate.

History. Analysis of the past in the present. Constantly changing, being reframed, deconstructed. Not necessarily too far back and possibly instantly expounded upon. Usually avoided by the technical elite as not worth remembering or thinking about.

Choice. Where do you stand on a subject? What words have you picked to explain something that has happened? What parts of history have you chosen to remember and how clear are your details? What has been LEFT OUT of the word stream? How do you choose to fill your time in the present moment?

News. Must get click-throughs. Must appease advertisers and corporate bosses. Must not upset fragile political alliances. Cowers at lobbyists who scare advertisers. Selectively edited to cause a flood of emotions and then moves on to the next potentially dammed site. Hopefully opens the flood gates before other sources push their own buttons. No topic too banal or useless, especially if it gets click-throughs, thus appeasing advertisers and corporate bosses. News cannot keep up with the speed of words these days. News can only follow social media at times to keep pace with history. News has very few filters with stories that do nothing but waste time for readers.

Readers. Have phones. Read phones. Demand instant words. Usually do not understand history. Get caught up in latest breaking news. Tsunami. Then movie star scandal. Whatever appears in phones is what is discussed with friends. In the flood of words, they skim the surface like insects. Only what is instant is gleaned. Little historical analysis is added to the words. Making a choice about news from a small, consolidated corporate pile of sources. A small percentage of readers go against the stream, but their efforts are large and their needs unattended.

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GIVE

Author: Russell

what more can i say today. found this stencil on the bike ride home from Alcatraz.

sf-soma-give

Giving Thanks on Alcatraz

Author: Russell

The last time I got up early to take the ferry to the Indigenous People’s Thanksgiving, I had many things weighing heavy on my mind. This 2005 day of thanks gave me little room to be thankful beyond the fact that I was alive and able to feel all the intense emotions coursing through me. Getting up that early didn’t brighten my mood either, until I was on the ferry and able to feel the power of community, song, and radical native medicine. As the ferry trolled over the Bay, I thought of all the troubles that the Native North Americans had seen over the generations. I thought of the troubles my Irish ancestors probably faced against the English occupation forces. I thought of all the many struggles for justice and peace that take place every day across the world. This opened my heart up a bit, just a small amount, allowing me to sit with my own present struggles and fell the common thread of humanity’s suffering.

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A Trip Down Market St.

Author: Russell

Sit patiently through the Viagra commercial(s) and you will be in for a treat. “60 Minutes” journalist Morley Safer shares a film, and some new historical twists, about San Francisco’s Market Street. Back in 1906, two brothers put a camera in front of a street car, hand-cranked the box as they moved down the “Slots”, and caught an amazing sight of everyday San Francisco. You’ll see anarchic traffic patterns, random pedestrians, no traffic lights, teamsters, newsboys, and a bike or two. You’ll also see a city center that sprung up in mere decades thanks to the Gold Rush of 1849.

Biking down that street every week for the past dozen or so years, and still feeling the residue of an older time, the thrill of seeing this film never diminishes. Now Safer has connected the past to the present, lovingly filming 2010 Market Street and the City I call home while giving the old film new perspective. New proof shows that the film was made a week before the earthquake and the huge fires that burned the whole area to the ground. And, now that we all know it captured buildings that would soon be destroyed, and San Franciscans who would soon perish and/or suffer, “A Trip Down Market Street’s” mystique grows deeper.

I was biking down Market St. in 2005 one Sunday morning on the way to open up the Box Office at Teatro ZinZanni. I had cut over to Mission Street to get on to Embarcadero, and I saw the oddest sight: a roofless, antique street car that looked like a maintenance vehicle. Perched on the front of this odd machine was an expensive digital camera. I biked by with a shrug, and thought it was a Hollywood film shoot. A few months later, I was treated to my first viewing of the original film (thought to have been made in 1905) as well as the new one that commemorated San Francisco’s Market Street a century later. Of course my friend Chris Carlsson is in the new film, and had invited me to see the public premiere just off Market Street at the Embarcadero. Here is the video from 2005:

Summing Up, and “The Education of the Warrior”

KEY THING - teachings broaden our toleracne for all pervasive, unavoidable uncertainty. TR: If fear and doubt arise towards fundamental uncertainty, then humans react and start to go into a cocoon…. We hide ourselves in caves and jungles.

We’re trying to find something to hold on to. Pain arises when we go into that cocoon to avoid uncertainty. A fearful society can develop because of this.

This weekend is a plea to relax into that uncertainty. Manifesting a healthy world starts with human’s courage to turn towards uncertainty. Worst of times are best of times because that makes uncertainty become unavoidable. We need to begin to engage in what we’ve been avoiding our whole lives. GENTLENESS cannot be written big enough when facing uncertainty. If we transform ourselves personally bases upon compassion-based living, then society will follow.

Touch in briefly, starting with the body. Then with emotions. Come to know fear itself, “sip by sip.”

Great Eastern Sun - arises as confidence in your heart that you can dispel your own darkness. Not protecting yourself from uncertainty. TR: what it is like to live outside the cocoon.

Pema then analyzed the following poem by Chogyam Trungpa Rinpoche (I will just post the poem):

The Education of the Warrior

That mind of fearfulness
Should be put in the cradle of loving-kindness
And suckled with the profound and brilliant milk
Of eternal doubtlessness.
In the cool shade of fearlessness,
Fan it with the fan of joy and happiness.
When it grows older,
Lead it to the self-existing playground of
various displays of phenomena.
When it grows older still,
In order to promote the primodial confidence,
Lead it to the archery range of the warriors.
When it grows older still,
To awaken primordial self-nature,
Let it see human society
Which possesses beauty and dignity.
Then the fearful mind
Can change into the warrior’s mind,
And that eternally youthful confidence
Can expand into space without beginning or end.
At that point it sees the Great Eastern Sun.